Reflecting on the first part of the course, I’m realising how important it is to let go of overthinking and just start making images. The Square Mile exercise was a gentle but valuable reminder that there’s creativity to be found in the familiar. I didn’t need to search for something extraordinary or travel far, just stepping outside and paying attention to what’s around me was enough to get going.
My tutor’s feedback highlighted the contrast between the diagonal, dynamic compositions and the more flat-on building shots in my early work. That observation made me pause and think about how different compositions guide the viewer’s eye, and how intentional or instinctive some of my choices were at the time. The diagonal shots that draw the eye toward the horizon carried more energy, while the head-on images offered a quieter, more contemplative feel. Noticing this contrast has made me want to be more deliberate with how I frame scenes moving forward, depending on the story or mood I’m trying to convey.
The artist research section really helped me begin to explore where my interests lie. Looking into the work of Gawain Barnard, Roni Horn, Tom Hunter, and Karen Knorr was like unlocking different corners of photography that speak to different parts of my curiosity. From atmosphere and subtle storytelling to more conceptual or staged approaches, each artist brought something different into focus for me. What stood out most was how they each made the ordinary feel worthy of attention, something I hope to carry forward in my own work.
The feedback also reminded me that this assignment was about simply beginning. The Square Mile was never meant to be perfect; it was about developing an eye for themes, connections, and the potential in local surroundings. I can already feel how valuable it’s been to view my photography as a series, not just isolated images. That way of thinking, seeing my photos as part of a set or story, is something I want to build on throughout the course.
In many ways, this first part felt like the foundations being laid. Paying attention to my surroundings, exploring what grabs me visually, and taking inspiration from artists who help me look differently. From here, I’m excited to keep building confidence in both my technical skills and my creative intuition.